Author: Sarah Fine
Release Date: January 5, 2016
Publisher: Margaret K. McElderry Books (Simon & Schuster imprint)
Sixteen-year-old Elli was a small child when the Elders of Kupari chose her to succeed the Valtia, the queen who wields infinitely powerful ice and fire magic. Since then, Elli has lived in the temple, surrounded by luxury and tutored by priests, as she prepares for the day when the Valtia perishes and the magic finds a new home in her. Elli is destined to be the most powerful Valtia to ever rule. But when the queen dies defending the kingdom from invading warriors, the magic doesn't enter Elli. It's nowhere to be found. Disgraced, Elli flees to the outlands, the home of banished criminals—some who would love to see the temple burn with all its priests inside. As she finds her footing in this new world, Elli uncovers devastating new information about the Kupari magic, those who wield it, and the prophecy that foretold her destiny. Torn between the love she has for her people and her growing loyalty to the banished, Elli struggles to understand the true role she was meant to play. But as war looms, she must align with the right side—before the kingdom and its magic are completely destroyed.
The Impostor Queen is a tale of magic and fate, of the intended and the unexpected, of will and servitude. A tale of making the choice that will let you hide from war and death versus making the choice that will save a kingdom.
Elli is meek and clueless about the world outside the temple, but she is inquisitive. She wants to know more, more about the magic that will fill her body when she takes over as the Valtia, more about the Kupari out in the city, more about the rumours of conflicts between bandits and miners. More about the possibility of war against the Soturi. But then, when she's found to have not taken in the magic of the former Valtia, she's discarded. Nearly killed. She survives because she doesn't want to die, she's lost and confused but wants to continue living. Of course, she didn't expect that she'd end up in the outlands, to end up in the company of thieves and the banished. She didn't know that she'd discover more truths outside the temple rather than inside. She didn't know she'd have to decide on whether or not to go back.
What first interested me in this wasn't the world-building or the magic, but they did intrigue me as the book went on. As Elli moved from a position of honour and importance to one of fear and possible death, as she was kicked out and left to somehow survive in the outlands as winter starts to creep across the land. The idea that the magic of the Kupari is only fire and ice, only those two elements, was curious. This world has magic, but specific types of magic. That usually isn't the case in terms of fantasy settings with magic, and I found this to be rather unique.
What first interested me in this book was that Elli was described as a bisexual princess, which is true. I was so surprised. Elli has lived a lonely life with only wizened elders and her handmaiden at her side. It was so nice to see this part of Elli, this sexual and romantic attraction to both men and women, described as something real. As something she would've acted on, if their positions had been different. If she'd found the courage to say something before everything changed. That alone made me want to read this because it's something that, unfortunately, appears so rarely in fantasy. I would definitely recommend this to fantasy fans looking for something different. Knowing that the next book is more of a companion novel than a sequel, I'm interested in seeing this world from a different side, interested in seeing how they come together.
(I borrowed an e-book copy of this title from the library.)
The Impostor Queen is a tale of magic and fate, of the intended and the unexpected, of will and servitude. A tale of making the choice that will let you hide from war and death versus making the choice that will save a kingdom.
Elli is meek and clueless about the world outside the temple, but she is inquisitive. She wants to know more, more about the magic that will fill her body when she takes over as the Valtia, more about the Kupari out in the city, more about the rumours of conflicts between bandits and miners. More about the possibility of war against the Soturi. But then, when she's found to have not taken in the magic of the former Valtia, she's discarded. Nearly killed. She survives because she doesn't want to die, she's lost and confused but wants to continue living. Of course, she didn't expect that she'd end up in the outlands, to end up in the company of thieves and the banished. She didn't know that she'd discover more truths outside the temple rather than inside. She didn't know she'd have to decide on whether or not to go back.
What first interested me in this wasn't the world-building or the magic, but they did intrigue me as the book went on. As Elli moved from a position of honour and importance to one of fear and possible death, as she was kicked out and left to somehow survive in the outlands as winter starts to creep across the land. The idea that the magic of the Kupari is only fire and ice, only those two elements, was curious. This world has magic, but specific types of magic. That usually isn't the case in terms of fantasy settings with magic, and I found this to be rather unique.
What first interested me in this book was that Elli was described as a bisexual princess, which is true. I was so surprised. Elli has lived a lonely life with only wizened elders and her handmaiden at her side. It was so nice to see this part of Elli, this sexual and romantic attraction to both men and women, described as something real. As something she would've acted on, if their positions had been different. If she'd found the courage to say something before everything changed. That alone made me want to read this because it's something that, unfortunately, appears so rarely in fantasy. I would definitely recommend this to fantasy fans looking for something different. Knowing that the next book is more of a companion novel than a sequel, I'm interested in seeing this world from a different side, interested in seeing how they come together.
(I borrowed an e-book copy of this title from the library.)
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